Quotes

Quotes about Love


They have been at a great feast of languages, and stolen the scraps. -Love's Labour 's Lost. Act v. Sc. 1.

William Shakespeare

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.

William Shakespeare

They have measured many a mile To tread a measure with you on this grass. -Love's Labour 's Lost. Act v. Sc. 2.

William Shakespeare

Let me take you a button-hole lower. -Love's Labour 's Lost. Act v. Sc. 2.

William Shakespeare

I have seen the day of wrong through the little hole of discretion. -Love's Labour 's Lost. Act v. Sc. 2.

William Shakespeare

A jest's prosperity lies in the ear Of him that hears it, never in the tongue Of him that makes it. -Love's Labour 's Lost. Act v. Sc. 2.

William Shakespeare

When daisies pied and violets blue, And lady-smocks all silver-white, And cuckoo-buds of yellow hue Do paint the meadows with delight, The cuckoo then, on every tree, Mocks married men. -Love's Labour 's Lost. Act v. Sc. 2.

William Shakespeare

The words of Mercury are harsh after the songs of Apollo. -Love's Labour 's Lost. Act v. Sc. 2.

William Shakespeare

For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth. -A Midsummer Night's Dream. Act i. Sc. 1.

William Shakespeare

O, hell! to choose love by another's eyes. -A Midsummer Night's Dream. Act i. Sc. 1.

William Shakespeare

Love looks not with the eyes, but with the mind; And therefore is winged Cupid painted blind. -A Midsummer Night's Dream. Act i. Sc. 1.

William Shakespeare

And the imperial votaress passed on, In maiden meditation, fancy-free. Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness. -A Midsummer Night's Dream. Act ii. Sc. 1.

William Shakespeare

Two lovely berries moulded on one stem. -A Midsummer Night's Dream. Act iii. Sc. 2.

William Shakespeare

The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy; Or in the night, imagining some fear, How easy is a bush supposed a bear! -A Midsummer Night's Dream. Act v. Sc. 1.

William Shakespeare

But love is blind, and lovers cannot see The pretty follies that themselves commit. -The Merchant of Venice. Act ii. Sc. 6.

William Shakespeare

Hereafter, in a better world than this, I shall desire more love and knowledge of you. -As You Like It. Act i. Sc. 2.

William Shakespeare

Under the greenwood tree Who loves to lie with me. -As You Like It. Act ii. Sc. 5.

William Shakespeare

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

William Shakespeare

Down on your knees, And thank Heaven, fasting, for a good man's love. -As You Like It. Act iii. Sc. 5.

William Shakespeare

Men have died from time to time, and worms have eaten them,—but not for love. -As You Like It. Act iv. Sc. 1.

William Shakespeare

No sooner met but they looked; no sooner looked but they loved; no sooner loved but they sighed; no sooner sighed but they asked one another the reason; no sooner knew the reason but they sought the remedy. -As You Like It. Act v. Sc. 2.

William Shakespeare

'T were all one That I should love a bright particular star, And think to wed it. -All 's Well that Ends Well. Act i. Sc. 1.

William Shakespeare

The hind that would be mated by the lion Must die for love. -All 's Well that Ends Well. Act i. Sc. 1.

William Shakespeare

If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o'er my ear like the sweet sound That breathes upon a bank of violets, Stealing and giving odour! -Twelfth Night. Act i. Sc. 1.

William Shakespeare

Journeys end in lovers meeting, Every wise man's son doth know. -Twelfth Night. Act ii. Sc. 3.

William Shakespeare

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