For gold in phisike is a cordial;
Therefore he loved gold in special.
Of all the floures in the mede,
Than love I most these floures white and rede,
Soch that men callen daisies in our toun.
Love me litle, love me long.
Love me, love my dog.
Though he love not to buy the pig in the poke.
His helmet now shall make a hive for bees,
And lovers' songs be turned to holy psalms;
A man-at-arms must now serve on his knees,
And feed on prayers, which are old age's alms.
My merry, merry, merry roundelay
Concludes with Cupid's curse:
They that do change old love for new,
Pray gods, they change for worse!
If all the world and love were young,
And truth in every shepherd's tongue,
These pretty pleasures might me move
To live with thee, and be thy love.
Silence in love bewrays more woe
Than words, though ne'er so witty:
A beggar that is dumb, you know,
May challenge double pity.
Fierce warres and faithful loves shall moralize my song.
And is there care in Heaven? And is there love
In heavenly spirits to these Creatures bace?
I hate the day, because it lendeth light
To see all things, but not my love to see.
Cupid and my Campaspe play'd
At cards for kisses: Cupid paid.
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows:
Loses them too. Then down he throws
The coral of his lip, the rose
Growing on's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple on his chin:
All these did my Campaspe win.
At last he set her both his eyes:
She won, and Cupid blind did rise.
O Love! has she done this to thee?
What shall, alas! become of me?
He reckoneth without his Hostesse. Love knoweth no lawes.
None ever loved but at first sight they loved.
I tell thee Love is Nature's second sun,
Causing a spring of virtues where he shines.
Cornelia. What flowers are these?
Gazetta. The pansy this.
Cor. Oh, that's for lovers' thoughts.
Give me a spirit that on this life's rough sea
Loves t' have his sails fill'd with a lusty wind,
Even till his sail-yards tremble, his masts crack,
And his rapt ship run on her side so low
That she drinks water, and her keel plows air.
Who ever loved that loved not at first sight?
Come live with me, and be my love;
And we will all the pleasures prove
That hills and valleys, dales and fields,
Woods or steepy mountain yields.
Love me little, love me long.
Hereafter, in a better world than this,
I shall desire more love and knowledge of you.
Under the greenwood tree
Who loves to lie with me.
All the world's a stage,
And all the men and women merely players.
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
And then the whining school-boy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard;
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
Down on your knees,
And thank Heaven, fasting, for a good man's love.