Thou hast wounded the spirit that loved thee And cherish'd thine image for years; Thou hast taught me at last to forget thee, In secret, in silence, and tears.
Higher than the perfect song For which love longeth, Is the tender fear of wrong, That never wrongeth.
But the mother's yearning, that completest type of the life in another life which is the essence of real human love, feels the presence of the cherished child even in the debased, degraded man.
Careless, unsocial plant! that loves to dwell 'Midst skulls and coffins, epitaphs and worms: Where light-heel'd ghosts and visionary shades, Beneath the wan, cold Moon (as Fame reports) Embodied, thick, perform their mystic rounds No other merriment, dull tree! is thine.
Be it a weakness, it deserves some praise, We love the play-place of our early days; The scene is touching, and the heart is stone, That feels not at that sight, and feels at none.
All lovely things will have an ending, All lovely things will fade and die; And youth, that's now so bravely spending, Will beg a penny by and by.
A man loves the meat in his youth that he cannot endure in his age.
I remember a passage in Goldsmith's "Vicar of Wakefield," which he was afterwards fool enough to expunge: "I do not love a man who is zealous for nothing."