The cure for all ills and wrongs, the cares, the sorrows and the crimes of humanity, all lie in the one word 'love.' It is the divine vitality that everywhere produces and restores life.
Marriage is low down, but you spend the rest of your life paying for it.
Marriage is like a bank account. You put it in, you take it out, you lose interest.
I understand by this passion the union of desire, friendship, and tenderness, which is inflamed by a single female, which prefers her to the rest of her sex, and which seeks her possession as the supreme or the sole happiness of our being.
What is passion? It is surely the becoming of a person. Are we not, for most of our lives, marking time? Most of our being is at rest, unlived. In passion, the body and the spirit seek expression outside of self. Passion is all that is other from self. Sex is only interesting when it releases passion. The more extreme and the more expressed that passion is, the more unbearable does life seem without it. It reminds us that if passion dies or is denied, we are partly dead and that soon, come what may, we will be wholly so.
You can do what you want, but saving love doesn't bring any interest.
The ruin of the human heart is self-interest, which the American merchant calls self-service. We have become a self-service populace, and all our specious comforts --the automatic elevator, the escalator, the cafeteria --are depriving us of volition and moral and physical energy.
To see ourselves as others see us can be eye-opening. To see others as sharing a nature with ourselves is the merest decency. But it is from the far more difficult achievement of seeing ourselves amongst others, as a local example of the forms human life has locally taken, a case among cases, a world among worlds, that the largeness of mind, without which objectivity is self-congratulation and tolerance a sham, comes.
I can hear you. The rest of the world hears you. And the people who knocked these buildings down will hear all of us soon.
The power of perpetuating our property in our families is one of the most valuable and interesting circumstances belonging to it, and that which tends most to the perpetuation of society itself. It makes our weakness subservient to our virtue; it grafts benevolence even upon avarice. The possession of family wealth and of the distinction which attends hereditary possessions (as most concerned in it,) are the natural securities for this transmission.
And said to myself, as I lit my cigar, "Supposing a man had the wealth of the Czar Of the Russias to boot, for the rest of his days, On the whole do you think he would have much to spare If he married a woman with nothing to wear?"
Still to be neat, still to be drest, As you were going to a feast, Still to be powder'd, all perfum'd. Lady, it is to be presumed, Though art's hid causes are not found, All is not sweet, all is not sound.
Each Bond-street buck conceits, unhappy elf; He shows his clothes! alas! he shows himself. O that they knew, these overdrest self-lovers, What hides the body oft the mind discovers.
Every man knows his follies and often they are the most interesting thing he has got.
What plant we in this apple tree? Sweets for a hundred flowery springs To load the May-wind's restless wings, When, from the orchard-row, he pours Its fragrance through our open doors; A world of blossoms for the bee, Flowers for the sick girl's silent room, For the glad infant sprigs of bloom, We plant with the apple tree.
I love the season well When forest glades are teeming with bright forms, Nor dark and many-folded clouds foretell The coming of storms.
I didn't have any interest in traditional art.
The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.
I don't have big anxieties. I wish I did. I'd be much more interesting.
When Michelangelo finished the painting of the Sistine Chapel's ceiling, he spent the rest of his life trying to remove the paint that had poured into his sleeve.
Without freedom, no art; art lives only on the restraints it imposes on itself, and dies of all others.
So-called art restoration is at least as tricky as brain surgery. Most pictures expire under scalpel and sponge.
O Autumn, laden with fruit, and stained With the blood of the grape, pass not, but sit Beneath my shady roof; there thou mayest rest And tune thy jolly voice to my fresh pipe, And all the daughters of the year shall dance! Sing now the lusty song of fruits and flowers.
Earth's crammed with heaven, And every common bush afire with God; And only he who sees takes off his shoes; The rest sit round it and pluck blackberries.