The Two Dogs A man had two dogs: a Hound, trained to assist him in his sports, and a Housedog, taught to watch the house. When he returned home after a good day's sport, he always gave the Housedog a large share of his spoil. The Hound, feeling much aggrieved at this, reproached his companion, saying, It is very hard to have all this labor, while you, who do not assist in the chase, luxuriate on the fruits of my exertions. The Housedog replied, Do not blame me, my friend, but find fault with the master, who has not taught me to labor, but to depend for subsistence on the labor of others. Children are not to be blamed for the faults of their parents.
A difference of tastes in jokes is a great strain on the affections.
Caresses, expressions of one sort or another, are necessary to the life of the affections as leaves are to the life of a tree. If they are wholly restrained, love will die at the roots.
Those who profess to favor freedom, and yet depreciate agitation, are men who want rain without thunder and lightning. They want the ocean without the roar of its many waters.
Look up! the wide extended plain Is billowy with its ripened grain, And on the summer winds are rolled Its waves of emerald and gold.
Our rural ancestors with little blest, Patient of labour when the end was rest, Indulg'd the day that hous'd their annual grain, With feasts, and off'rings, and a thankful strain.
E'en in mid-harvest, while the jocund swain Pluck'd from the brittle stalk the golden grain, Oft have I seen the war of winds contend, And prone on earth th' infuriate storm descend, Waste far and wide, and by the roots uptorn, The heavy harvest sweep through ether borne, As light straw and rapid stubble fly In dark'ning whirlwinds round the wintry sky.
It's not till sex has died out between a man and a woman that they can really love. And now I mean affection. Now I mean to be fond of (as one is fond of oneself) --to hope, to be disappointed, to live inside the other heart. When I look back on the pain of sex, the love like a wild fox so ready to bite, the antagonism that sits like a twin beside love, and contrast it with affection, so deeply unrepeatable, of two people who have lived a life together (and of whom one must die) it's the affection I find richer. It's that I would have again. Not all those doubtful rainbow colors.
How many young hearts have revealed the fact that what they had been trained to imagine the highest earthly felicity was but the beginning of care, disappointment, and sorrow, and often led to the extremity of mental and physical suffering.
Beauty can't amuse you, but brainworkâreading, writing, thinking--can.
She who makes her husband and her children happy, who reclaims the one from vice, and trains up the other to virtue, is a much greater character than the ladies described in romance, whose whole occupation is to murder mankind with shafts from their quiver or their eyes.
And what's romance? Usually, a nice little tale where you have everything As You Like It, where rain never wets your jacket and gnats never bite your nose and it's always daisy-time.
O beautiful for spacious skies, For amber waves of grain, For purple mountains majesties Above the fruited plain. America! America! God shed His grace on thee, And crown thy good with brotherhood From sea to shining sea.
Bring me men to match my mountains, Bring me men to match my plains, Men with empires in their purpose, And new eras in their brains.
Alas! they had been friends in youth; But whispering tongues can poison truth, And constancy lives in realms above; And life is thorny, and youth is vain; And to be wrothe with one we love Doth work like madness in the brain.
Dress drains our cellar dry, And keeps our larder lean; puts out our fires And introduces hunger, frost, and woe, Where peace and hospitality might reign.
A mote it is to trouble the mind's eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets; As stars with trains of fire and dews of blood, Disasters in the sun; and the moist star Upon whose influence Neptune's empire stands Was sick almost to doomsday with eclipse.
Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee! I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation Proceeding from the heat-oppressed brain? I see thee yet, in form as palpable As this which now I draw.
Now the noisy winds are still; April's coming up the hill! All the spring is in her train, Led by shining ranks of rain; Pit, pat, patter, clatter, Sudden sun and clatter patter! . . . . All things ready with a will, April's coming up the hill!
April is the cruelest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.
A gush of bird-song, a patter of dew, A cloud, and a rainbow's warning, Suddenly sunshine and perfect blue-- An April day in the morning.
Art bids us touch and taste and hear and see the world, and shrinks from what Blake calls mathematic form, from every abstract form, from all that is of the brain only.
Without freedom, no art; art lives only on the restraints it imposes on itself, and dies of all others.
So-called art restoration is at least as tricky as brain surgery. Most pictures expire under scalpel and sponge.
Authority intoxicates, And makes mere sots of magistrates; The fumes of it invade the brain, And make men giddy, proud, and vain.