. . . Philologists, who chase A painting syllable through time and space Start it at home, and hunt it in the dark, To Gaul, to Greece, and into Noah's Ark.
In a purely technical sense, each species of higher organism is richer in information than a Caravaggio painting, Bach fugue, or any other great work of art.
When superstition is allowed to perform the task of old age in dulling the human temperament, we can say goodbye to all excellence in poetry, in painting, and in music.
I remember being handed a score composed by Mozart at the age of eleven. What could I say? I felt like de Kooning, who was asked to comment on a certain abstract painting, and answered in the negative. He was then told it was the work of a celebrated monkey. 'That's different. For a monkey, it's terrific.'
Painting with all its technicalities, difficulties, and peculiar ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
Not everybody trusts paintings but people believe photographs.
Any young person who has studied Heidegger; or seen Ionesco's 'plays'; or listened to the 'music' of John Cage; or looked at Andy Warhol's 'paintings'- has experienced that feeling of incredulous puzzlement: But this is nonsense! Can I really be expected to take this seriously?In fact, of course, it is necessary for it to be nonsense; if it made sense, it could be evaluated. The essence of modern intellectual snobbery is the 'emperor's new cloths' approach. Teachers, critics, our self-appointed intellectual elite, make it quite clear to us that if we cannot see the superlative nature of this 'art'- why, it merely shows our ignorance, our lack of sophistication and insight. Of course, they go beyond the storybook emperor's tailors, who dressed their victim in nothing and called it fine garments. The modern tailors dress the emperor in garbage.
There are many who find a good alibi far more attractive than an achievement. For an achievement does not settle anything permanently. We still have to prove our worth anew each day: we have to prove that we are as good today as we were yesterday. But when we have a valid alibi for not achieving anything we are fixed, so to speak, for life. Moreover, when we have an alibi for not writing a book, painting a picture, and so on, we have an alibi for not writing the greatest book and not painting the greatest picture. Small wonder that the effort expended and the punishment endured in obtaining a good alibi often exceed the effort and grief requisite for the attainment of a most marked achievement.
I hope with all my heart there will be painting in heaven.
Sculpture is more divine, and more like Nature, That fashions all her works in high relief, And that is Sculpture. This vast ball, the Earth, Was moulded out of clay, and baked in fire; Men, women, and all animals that breathe Are statues, and not paintings.
Sculpture is more than painting. It is greater To raise the dead to life than to create Phantoms that seem to live.
Winter is an etching, spring a watercolor, summer an oil painting and autumn a mosaic of them all.
Daughter of heaven and earth, coy Spring, With sudden passion languishing, Teaching barren moors to smile, Painting pictures mile on mile, Holds a cup of cowslip wreaths Whence a smokeless incense breathes.