O, this life Is nobler than attending for a check, Richer than doing nothing for a robe, Prouder than rustling in unpaid-for silk: Such pain the cap of him that makes him fine Yet keeps his book uncrossed.
To build castles in Spain.
The human race is divided into two sharply differentiated and mutually antagonistic classes, almost two genera- a small minority that plays with ideas and is capable of taking them in, and a vast majority that finds them painful, and is thus arrayed against them, and against all who have traffic with them. The intellectual heritage of the race belongs to the minority, and to the minority only. The majority has no more to do with it than it has to do with ecclesiastic politics on Mars. In so far as that heritage is apprehended, it is viewed with enmity. But in the main it is not apprehended at all.
Any young person who has studied Heidegger; or seen Ionesco's 'plays'; or listened to the 'music' of John Cage; or looked at Andy Warhol's 'paintings'- has experienced that feeling of incredulous puzzlement: But this is nonsense! Can I really be expected to take this seriously?In fact, of course, it is necessary for it to be nonsense; if it made sense, it could be evaluated. The essence of modern intellectual snobbery is the 'emperor's new cloths' approach. Teachers, critics, our self-appointed intellectual elite, make it quite clear to us that if we cannot see the superlative nature of this 'art'- why, it merely shows our ignorance, our lack of sophistication and insight. Of course, they go beyond the storybook emperor's tailors, who dressed their victim in nothing and called it fine garments. The modern tailors dress the emperor in garbage.
There are many who find a good alibi far more attractive than an achievement. For an achievement does not settle anything permanently. We still have to prove our worth anew each day: we have to prove that we are as good today as we were yesterday. But when we have a valid alibi for not achieving anything we are fixed, so to speak, for life. Moreover, when we have an alibi for not writing a book, painting a picture, and so on, we have an alibi for not writing the greatest book and not painting the greatest picture. Small wonder that the effort expended and the punishment endured in obtaining a good alibi often exceed the effort and grief requisite for the attainment of a most marked achievement.
Throw moderation to the winds, and the greatest pleasures bring the greatest pains.
From powerful causes spring the empiric's gains, Man's love of life, his weakness, and his pains; These first induce him the vile trash to try, Then lend his name, that other men may buy.
What skilful limner e'er would choose To paint the rainbow's varying hues, Unless to mortal it were given To dip his brush in dyes of heaven?
Nature has placed mankind under the government of two sovereign masters, pain and pleasure... they govern us in all we do, in all we say, in all we think: every effort we can make to throw off our subjection, will serve but to demonstrate and confirm it.
When yer in a funk, people in love are a royal pain in the patookus.
I hope with all my heart there will be painting in heaven.
And even in our sleep pain that cannot forget falls drop by drop upon the heart, and in our own despair, against our will, comes wisdom to us by the awful grace of God.
Remorse is the pain of sin.
My dear dear lord, The purest treasure mortal times afford Is spotless reputation. That away, Man are but gilded loam or painted clay.
Out of the hills of Habersham, Down the valleys of Hall, I hurry amain to reach the plain; Run the rapid and leap the fall, Split at the rock, and together again Accept my bed, or narrow or wide, And flee from folly on every side With a lover's pain to attain the plain, Far from the hills of Habersham, Far from the valleys of Hall.
On fair Britania's isle, bright bird, A legend strange is told of thee,-- 'Tis said thy blithesome song was hushed While Christ toiled up Mount Calvary, Bowed 'neath the sins of all mankind; And humbled to the very dust By the vile cross, while viler men Mocked with a crown of thorns the Just. Pierced by our sorrows, and weighed down By our transgressions,--faint and weak, Crushed by an angry Judge's frown, And agonies no word can speak,-- 'Twas then, dear bird, the legend says That thou, from out His crown, didst tear The thorns, to lighten the distress And ease the pain that he must bear, While pendant from thy tiny beak The gory points thy bosom pressed, And crimsoned with thy Saviour's blood The sober brownness of thy breast! Since which proud hour for thee and thine. As an especial sign of grace God pours like sacramental wine Red signs of favor o'er thy race!
Romances paint at full length people's wooings, But only give a bust of marriages: For no one cares for matrimonial cooings. There's nothing wrong in a connubial kiss. Think you, if Laura had been Petrarch's wife, He would have written sonnets all his life?
Why love if losing hurts so much⦠I have no answers anymore⦠only the life I have lived⦠The pain now is part of the happiness (then).
You say that love is nonsense....I tell you it is no such thing. For weeks and months it is a steady physical pain, an ache about the heart, never leaving one, by night or by day; a long strain on one's nerves like toothache or rheumatism, not intolerable at any one instant, but exhausting by its steady drain on the strength.
Pleasure of love lasts but a moment, Pain of love lasts a lifetime. â¢Jean Pierre Claris De Florian Love won't be tampered with, love won't go away. Push it to one side and it creeps to the other.
Love looks not with the eyes, but with the mind; And therefore is winged Cupid painted blind.
Pleasure of love lasts but a moment, Pain of love lasts a lifetime.
A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain.
We look before and after, And pine for what is not, Our sincerest laughter With some pain is fraught: Our sweetest songs are those that tell of saddest thought.
We gather strength from sadness and from pain Each time we die we learn to live again.