I thank God I am as honest as any man living that is an old man and no honester than I. -Much Ado about Nothing. Act iii. Sc. 3.
A good old man, sir; he will be talking: as they say, When the age is in the wit is out. -Much Ado about Nothing. Act iii. Sc. 5.
'T is all men's office to speak patience To those that wring under the load of sorrow, But no man's virtue nor sufficiency To be so moral when he shall endure The like himself. -Much Ado about Nothing. Act v. Sc. 1.
A man in all the world's new fashion planted, That hath a mint of phrases in his brain. -Love's Labour 's Lost. Act i. Sc. 1.
A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman. -Love's Labour 's Lost. Act i. Sc. 1.
A man of sovereign parts he is esteem'd; Well fitted in arts, glorious in arms: Nothing becomes him ill that he would well. -Love's Labour 's Lost. Act ii. Sc. 1.
A merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal. -Love's Labour 's Lost. Act ii. Sc. 1.
Many can brook the weather that love not the wind. -Love's Labour 's Lost. Act iv. Sc. 2.
Dictynna, goodman Dull. -Love's Labour 's Lost. Act iv. Sc. 2.
For where is any author in the world Teaches such beauty as a woman's eye? Learning is but an adjunct to ourself. -Love's Labour 's Lost. Act iv. Sc. 3.
They have measured many a mile To tread a measure with you on this grass. -Love's Labour 's Lost. Act v. Sc. 2.
Swift as a shadow, short as any dream; Brief as the lightning in the collied night, That in a spleen unfolds both heaven and earth, And ere a man hath power to say, âBehold!â The jaws of darkness do devour it up: So quick bright things come to confusion. -A Midsummer Night's Dream. Act i. Sc. 1.
A proper man, as one shall see in a summer's day. -A Midsummer Night's Dream. Act i. Sc. 2.
The human mortals. -A Midsummer Night's Dream. Act ii. Sc. 1.
I have had a dream, past the wit of man to say what dream it was. -A Midsummer Night's Dream. Act iv. Sc. 1.
The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. -A Midsummer Night's Dream. Act iv. Sc. 1.
The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy; Or in the night, imagining some fear, How easy is a bush supposed a bear! -A Midsummer Night's Dream. Act v. Sc. 1.
This passion, and the death of a dear friend, would go near to make a man look sad. -A Midsummer Night's Dream. Act v. Sc. 1.
I hold the world but as the world, Gratiano,â A stage, where every man must play a part; And mine a sad one. -The Merchant of Venice. Act i. Sc. 1.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
There are a sort of men whose visages Do cream and mantle like a standing pond. -The Merchant of Venice. Act i. Sc. 1.
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search. -The Merchant of Venice. Act i. Sc. 1.
God made him, and therefore let him pass for a man. -The Merchant of Venice. Act i. Sc. 2.
When he is best, he is a little worse than a man; and when he is worst, he is little better than a beast. -The Merchant of Venice. Act i. Sc. 2.
My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The Merchant of Venice. Act i. Sc. 3.