The imagination and the senses cannot be gratified at the same time.
The source of genius is imagination alone, . . . the refinement of the senses that sees what others do not see, or sees them differently.
It is usually the imagination that is wounded first, rather than the heart; it being much more sensitive.
Sentiment is the poetry of the imagination.
Sentiment is the poetry of the imagination.
The idea of her life shall sweetly creep Into his study of imagination, And every lovely organ of her life, Shall come apparell'd in more precious habit, More moving-delicate and full of life Into the eye and prospect of his soul. -Much Ado about Nothing. Act iv. Sc. 1.
The lunatic, the lover, and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name. Such tricks hath strong imagination, That if it would but apprehend some joy, It comprehends some bringer of that joy; Or in the night, imagining some fear, How easy is a bush supposed a bear! -A Midsummer Night's Dream. Act v. Sc. 1.
...man has an irrepressible tendency to read meaning into the buzzing confusion of sights and sounds impinging on his senses; and where no agreed meaning can be found, he will provide it out of his own imagination.
The anointed don't like to talk about painful trade-offs. They like to talk about happy "solutions" that get rid of the whole problem- at least in their imagination.
The gloomy comparisons of a disturbed imagination, the melancholy madness of poetry without the inspiration.
What an enormous magnifier is tradition! How a thing grows in the human memory and in the human imagination, when love, worship, and all that lies in the human heart, is there to encourage it.
The use of travelling is to regulate imagination by reality, and, instead of thinking how things may be, to see them as they are.
If we divine a discrepancy between a man's words and his character, the whole impression of him becomes broken and painful; he revolts the imagination by his lack of unity, and even the good in him is hardly accepted.
Written about Washington after his death by another of the founding fathers, Thomas Jefferson: His mind was great and powerful ... as far as he saw, no judgment was ever sounder. It was slow in operation, being little aided by invention or imagination, but sure in conclusion.... Perhaps the strongest feature in his character was prudence, never acting until every circumstance, every consideration, was maturely weighed; refraining if he saw doubt, but, when once decided, going through his purpose, whatever obstacles opposed. His integrity was the most pure, his justice the most inflexible I have ever known.... He was, indeed, in every sense of the words, a wise, a good and a great man ... On the whole, his character was, in its mass, perfect ... it may truly be said, that never did nature and fortune combine more perfectly to make a man great....
The power of imagination created the illusion that my vision went much farther than the naked eye could actually see.
Vulgarity begins when imagination succumbs to the explicit.
Wit penetrates; humor envelops. Wit is a function of verbal intelligence; humor is imagination operating on good nature.
Imagination will often carry us to worlds that never were. But without it, we go nowhere.
The life of man is the true romance, which when it is valiantly conduced, will yield the imagination a higher joy than any fiction.
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.