Every closed eye is not sleeping; and every open eye is not seeing.
O, it is pleasant, with a heart at ease, Just after sunset, or by moonlight skies, To make the shifting clouds be what you please, Or let the easily persuaded eyes Own each quaint likeness issuing from the mould Of a friend's fancy.
Good-morrow to thy sable beak, And glossy plumage, dark and sleek, Thy crimson moon and azure eye, Cock of the heath, so wildly shy!
May every young scientist remember... and not fail to keep his eyes open for the possibility that an irritating failure of his apparatus to give consistent results may once or twice in a lifetime conceal an important discovery. -Patrick Blackett.
And nearer as they came, a genial savour Of certain stews, and roast-meats, and pilaus. Things which in hungry mortals' eyes find favour.
Or light or dark, or short or tall, She sets a springe to snare them all: All's one to her--above her fan She'd make sweet eyes at Caliban.
O friends, be men, and let your hearts be strong, And let no warrior in the heat of fight Do what may bring him shame in others' eyes; For more of those who shrink from shame are safe Than fall in battle, while with those who flee Is neither glory nor reprieve from death.
I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain. - Dune, "Litany Against Fear", 1965.
Great occasions do not make heroes or cowards; they simply unveil them to the eyes of men.
Great occasions do not make heroes or cowards; they simply unveil them to the eyes of men.
Come, seeling night, Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale. Light thickens, and the crow Makes wing to th' rooky wood. Good things of day begin to droop and drowse, While night's black agents to their prey do rouse.
A cynic is a man who looks at the world with a monocle in his mind's eye.
I would I had some flowers o' th' spring that might Become your time of day, and yours, and yours, That wear upon your virgin branches yet Your maidenheads growing. O, Proserpina, For the flowers now that, frighted, thou let'st fall From Dis's wagon; daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength--a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one.
That men by reason will it calle may The daisie or elles the eye of day The emperice, and floure of floures alle.
There is a flower, a little flower With silver crest and golden eye, That welcomes every changing hour, And weathers every sky.
A thousand hearts beat happily; and when Music arose with its voluptuous swell, Soft eyes look'd love to eyes which spake again, And all went merry as a marriage bell.
Eye Contact: A method utilized by a single woman to communicate to a man that she is interested in him. Despite being advised to do so, many women have difficulty looking a man directly in the eyes, not necessarily due to the shyness, but usually due to the fact that a woman's eyes are not located in her chest.
So fades a summer cloud away; So sinks the gale when storms are o'er; So gently shuts the eye of day; So dies a wave along the shore.
The wise man's eyes are in his head; but the fool walketh in darkness; and I myself perceived also that one event happeneth to them all.
Death is patiently making my mask as I sleep. Each morning I awake to discover in the corners of my eyes the small tears of his wax.
The infant runs toward it with its eyes closed, the adult is stationary, the old man approaches it with his back turned.
Death came with friendly care; The opening bud to heaven conveyed, And bade it blossom there.
It seems to me that there are two kinds of trickery: the "fronts" people assume before one another's eyes, and the "front" a writer puts on the face of reality.
Every decision is liberating, even if it leads to disaster. Otherwise, why do so many people walk upright and with open eyes into their misfortune?
Every decision is liberating, even if it leads to disaster. Otherwise, why do so many people walk upright and with open eyes into their misfortune?.